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June 22, 2008

A Golden Welcome

Buddha Hand

"Buddha Dharma came to Korea from China in the fourth century CE. It flourished after the Silla unification in the seventh century. By the tenth century there were Korean versions of most Chinese schools. Paramount were Ch'an, Hua-yen, and a Vajrayana form related to the Chinese Mi-tsung. The heyday of Korean Dharma was the Koryo period (932-1392), during which the comprehensive Tripitaka Koreana was published. Under the Yi dynasty (1392-1910), Confucianism became the state religion and the Buddha Dharma was forced into the background. A revival came after the end of Japanese rule in 1945, when the Won movement, a popular Buddhism much influenced by Ch'an, came to the fore. Nowadays, a kind of syncretic Buddhism is widespread in Korea" (From Radiant Mind: Essential Bhuddist Teachings and Texts).

Buddha in the Window

I am always comforted by Buddhism. I don't know how to explain it, but wherever I have come across it, I have found a certain warmth in the chants and an intoxication from the incense. Perhaps it is that I never understand what is being chanted, although I am well familiar with the tenets, that allows me entrée into a world that I would not be curious about were it in the realm of the understood. But I really think it is the sincere and earnest nature of the practitioners and their welcoming demeanor that has always drawn me to Buddhism whether it be in Japan, Thailand, Nepal, India or Korea.

Kneeling to Buddha

In an age where one has to check travel alerts when traveling abroad so as not to run afoul of those practicing a "religion of peace" that somehow justifies the beheading of non-believers by, "really a small minority, really", one has never had to do that when traveling to Buddhist countries, with the exception of when one travels through Muslim areas such as in Southern Thailand.

And so it is no different in Korea at Jogyesa Temple in Seoul. Jogyesa is the central Buddhist hub in Seoul where the monks practice the teaching of Shakyamuni Buddha whose tenets, "are pointing directly at one's mind to realize it, seeing one's Buddha nature to become a Buddha, and succeeding Dharma to spread Buddhism to lead all beings to attain enlightenment."

Temple Candles web

And should the uninitiated want to dig a little deeper into the tenets of this form of Buddhism or just dabble for a day, Jogyesa has educational programs that range from attending a lecture series to an overnight temple stay. Those wanting more information should go to the temple web-site at Jogyesa Temple.

February 09, 2008

New York, New York

Empire State

It has been many years since I walked the streets of New York; 18 to be exact, and my return to this magnificent place could not have been rewarded with a more beautiful day. The walk from Time's Square down to Ground Zero where the Twin Towers once stood, is wonderful, ironic and eventually somber. Wonderful in that the neighborhoods encountered along the way reflect the heart of much of New York. Ironic, in that as one approaches the spot that began the war on terror one could not imagine a city or a population more detached from and disinterested in the war. It is after all mainly left to people from other parts of America to tend to America's defense. Somber in that as one approaches ground zero one can palpably feel the organ that was ripped from the city some seven years before by bitter men claiming to be soldiers of God.

NYC

As disinterested as the average New Yorker may be regarding the ongoing fight against Islamic extremism, there are still vestiges of the spirit that makes this place one of the world's truly great cities. Leave it to the immigrant, that constant gardener of the American spirit, to express patriotism beyond the native citizen who has made the conscious choice not to serve his/ her country. I was, after all, on this trip to the big city on business and in the uniform of the United States Army. No particular sentiment was expressed to me, positive or negative by the disinterested passers-by. Yet when I hopped into a cab to go to my destination, upon reaching it I was informed by the driver that, "you no pay here". I was at first confused and thought I had to buy a ticket or pay by credit card but eventually the reality set in. The cab driver who possessed a thick South Asian accent (most-likely Pakistani) was telling me that my service in the Armed Forces of the United States meant something to him. So much so, that I was not allowed to pay my fare.

The immigrant, so long the back-bone of the American economy and the keeper of the ideals of liberty, once again delivered the ideal of America to a visiting soldier in an era where the native, non-serving citizen has long lost that capacity. So New York remains a great city, with great people who hold the city up on their shoulders while those in SOHO, or attending NYU or Columbia walk about in the haze of the unknowing, thinking that they are what makes this city tick. Let them be reminded that it is the cab-drivers, who yearn to send their children to such schools so that one day their children will have the right to be selfish and unappreciative of all that liberty means, who drive all that moves here. I am happy to be moved by them.

Its a living

November 18, 2007

to shoot what you see

simply red and green

To the non-professional photographer who does not run his life in pursuit of paying assignments, the mundane and unseen often becomes our focus simply because it is in range. That game quickly becomes one of myth and deception as we are forced to create environments that may in actuality be beyond our present reach. A tree passed by on our way to photograph a forest is surely the best opportunity lost. Time and patience reward us slowly and piecemeal as we zoom in on what becomes something to the wide view of nothing. That is the essence of autumn in Seoul.

grounded

November 15, 2007

autumn's display

Let the photos speak

spread of autumn

fire of leaves

above

knot

October 30, 2007

pictures at a palace

Seoul Maple

It was with a sense of autumnal melancholia that we headed out into cool breezes looking for sure signs of the season. As a native New Englander, something in me this time of year stirs. It is more than just the cliche memories of crisp fall days running around in the front yard, the smell of fallen leaves in the wind and the sound of footballs thudding off of hyper-extended, swelling thumbs. It is perhaps the beauty and foreboding of the season, juxtaposed, providing the last refuge for life before the long, dreary winter takes hold. Nowhere is this more true than in Korea where once the winter sets in it does not want to give up its grasp until late into spring.

Palace Door

It was with this sense in heart that we fell upon Deoksugung Palace in central Seoul. Deoksugung gave me that natsukashi kanji (melancholy feeling) of Shinjuku Gyoen, although much smaller in scale then my former Tokyo autumn refuge. It is a splendid spot to take a stroll when the weather is nice, particularly in autumn when the sweltering smoggy summer has faded into distant memory and the clutching cold of winter has not yet revealed its icy fingers.

Ample rewards await the traveler at Deoksugung, from the few splendid maple trees to the interesting buildings while although reproductions, convey the spirit of a royal Korean court-compound. For a nice day out consider taking Line 1 of the Seoul Metro to City Hall Station (exit 2); then after you are done, walking to Namdaemun Market and having lunch at a market restaurant. Get over your initial concerns that it is market food and enjoy traditional Korean dishes from mandu kuk (dumpling soup) to pajeon (Korean Pancake usually containing seafood and onions). That set will run you about $14 and fill the bellies of two grown humans; not bad. When you are done get back on the Metro at Hoehyeon Station in the middle of the market and return from whence you came.

October 13, 2007

day of drums

jumping to drum

I headed out to Chungmuro in Seoul, known for its abundance of shops selling photography equipment, to buy some filters for my new Canon 16-35 f 2.8 L II USM, and lo and behold I was surprised by drums; the drums of the Seoul Drum Festival . The festival took place 10/05 - 10/09 2007 at The Village of Traditional Houses across from the Chungmuro Metro Station (Line 3) outside of Exit 4. I just caught the end of the festivities on the 5th, but the sunlight was right and the enthusiasm of the drummers delighted the crowd that gathered amongst reconstructed, traditional Korean Homes in the shadow of Namsan Tower. This type of surprising moment is what satisfies me the most about living in a foreign city and why I always go out with camera in hand.

August 17, 2007

on the ground in Seoul

Dongdaemun

Gaijinphoto Magazine is now on the ground in its new home, Seoul, South Korea. In the previous post we lamented the end of the Japanese era, in this we look forward to the challenge of the South Korean era. Seoul has its ups and downs yet is worthy of intense investigation. The city could by no means be described as beautiful, but it does have its charms including some cultural wonders such as the great gates at Namdaemun and Dongdaemun or the few royal palaces and temples that dot the city. Having been devastated during the Korean War (1950-1953) and having been rebuilt according to no master plan, the city is a concrete jungle.

Crossing Cheonggyecheon

There is a flurry of construction in this fast-moving city as Seoul expands to meet the demands of its affluent population. There also exists a nascent environmental awareness movement in the country that is attempting to undo some of the past ill-considered development projects in favor of something more green and sustainable. One such project is the Cheonggyechon river restoration project; a project devoted to uncovering a previously paved over river in the city and returning it to its former splendor as something the citizens of the metropolis can embrace and enjoy.

masks copy

Just like in Japan, the only way to really capture the culture is to focus on the little things. The general public may be constantly on the move and too busy to recognize their cultural icons, however, the very reason for the existence of the Gaijin Photographer is to see, capture and relay those things to those that cannot be there to see them first hand. With that mission in mind, GP will attempt to deliver Korea in a refreshing and informative way.

August 13, 2007

all good things must come to an end

It is a cliché to say that all good things must come to an end. Yet there is no more appropriate way to describe the end of my latest chapter of living in Japan than a good thing that has come to an end.

For the last three years I called Tokyo my home. In that time I experienced the full range of Tokyo life from the seedy yet lively confines of “piss alley” in Shinjuku, to the clear, cool winter air of Mt. Mitake. The common theme for me, throughout that wide range of experiences is what managed to make it into my camera lens and end up on these pages. So it was with a great deal of melancholy and regret that I headed out over my last few weeks in the attempt to capture some images I thought evocative of my Tokyo.

Being a relatively lazy chap who never tires of the friendly confines of a well-known neighborhood, I headed out to Taito-ku and my personal favorite haunt, Asakusa. While there, I roamed the streets hoping for something to appear in my lens that screamed Japan to even the uninitiated. After snapping the obligatory shots of solitary deities outside of the temple, I came upon something I have long come to regard as rather mundane; a Japanese temple wedding. I always seem to have to remind myself that in life it is normally a great mistake to allow oneself to become bored with anything for the sole reason of having seen something like it before. The lens is not nearly as smart as the human brain; it knows nothing beyond the frame. Therefore, anything captured in the frame brings a new interpretation to the subject every time. I had seen Japanese weddings before. I had been married in a Japanese wedding. But I had never seen this wedding on this day and neither had my lens. That, for me, ended up making all the difference. So as I went through my normal routine of snapping away at the prematurely judged mundane wedding party I was not yet aware that I would shoot a shot that I would end up being fairly pleased with. More importantly I was reminded of the all-important rule of travelers: never take anything for granted. In fact the reason why wanderers spend so much effort and money to travel and carry cameras in the event, is because we are looking to experience and capture life on the road in all of its manifestations.

Japanese Wedding

And that is why photography is the ideal medium to help us reflect on the people, places, things, events and other things we have run across in our travels. Something as esoteric as a Japanese wedding draws us into it, and looked at in the right way can capture the imagination. But is that as true for the red temple door we pass on the way to the wedding? If we are guilty of thinking that the wedding has become mundane, even while we were drawn to it, what are we to do with the doors we pass?

temple door

We shoot them.

When Japanese decide on a name for a child, they are very careful about the meaning and balance of the kanji characters used to express the name. Similarly, the Japanese are concerned about this balance of letters in every aspect of their lives. During my first visit to Japan in the ‘90s I had the notion to get a stamp (rakkan-in) of my name made to use to sign my photos, much in the manner of Japanese prints. I sought out a famous Japanese rakkan-in maker in Kichijoji who crafted rakkan-in that were true works of art. When I made the request of the husband and wife team that actually produced these wondrous little artifacts, they were instantly mortified by my obviously ill-considered attempt at appearing cultured. I initially requested that they use the kanji character Ran, meaning chaos, made famous by the Kurosawa movie of the same name. I was informed that under no circumstances could they produce Deran, a twist on my name (Daren), using the Ran character unless they found a character for Da that would balance the inauspicious affects of Ran. Their position was that they would have no part in producing an article that could cause the buyer to suffer the affects of such unbalanced chaos. I waited in the shop four about forty minutes while the pair searched through their kanji dictionaries to find a character that could meet my request while keeping the unbridled powers of chaos in check. A decision was made, a transaction transpired, and ended up a few days later with one of my favorite keep-sakes and a valuable lesson about the importance of balance in Japan. Although it is neither by design nor prescription, Tokyo itself is a city of balance and contrast. One can duck into a temple, whiff some incense and disappear into a bygone era only to be shocked back to reality by the bright lights of Shibuya.

Tokyo Metro

Yet , the most fascinating aspect of Japan and Tokyo in particular is how these cultural and urban elements mix together, coexisting in a Blade Runner reality equal parts yukata and ramen, i-pod and cell phone.

yukata in the big city

In the end, however, being the foreigner (gaijin) that I am, I inevitably am moved toward the traditional. I am continually fascinated with how this country maintains the relevance of all of those things that have gone before. The temple girls, kimono, matsuri (festivals) and zen monks move about the everyday population without batting an eyelash. The most esoteric of traditional sweets sold by a street vendor will elicit a lengthy informational lecture from even the most reclusive or ill-informed Japanese.

in a hurry

The Japanese may have leaped forward into modernity after the Meiji Restoration of the mid 19th century, yet even the bleakest recesses of the concrete Jungle that is Tokyo retain a connection to the past that the Japanese seem to ignore, yet revere, and that travelers flip out over.

the light was great

I certainly am guilty of flipping out. I am guilty of being sucked in by the mysteries and wonders of this ancient and modern land. And I admit that during my time in Japan, I went as native as one can get and still retain their gaijinness. I know this Gaijin Photographer will be back at the first opportunity, trying to make sense of it all. For now it is off to another East-Asian country, which retains its own, perhaps more well hidden charms, South Korea. I have lived there before so it is actually a return of sorts, but Korea is so dynamic, I am sure there are a lot of surprises in store. Stay tuned.

June 07, 2007

thoughts of the urban

mirrored glasses

Tokyo is a complex city-scape that continually makes one feel like a character in Blade Runner. I suppose that has much to do with my reading Philip K. Dick novels at university when I should have been studying - a course of action that would land me non-degreed and in the Army. The only way to appreciate this milieu is to head into it alone, unencumbered by I-Pod or other prophylactic technology, and see what there is to see and hear what there is to hear - not to mention the smells.

your smile is beautiful

When one heads out with the intention of photographing representative images of this environment, one is often disappointed; but then the game becomes just to be in it and when something comes along to just shoot it. I suppose that might also resemble the criminal, with less permanent results; perhaps less permanent.

Yet there is no right place to go or right neighborhood to be in; the end-state much as in life, is to be (is, am, are); the most basic of verbs, basic enough to confuse presidents and allow us just to be in this city - a city that is a melange of east and west with everything on the menu from hanbagu-steaki to school-girl panties...or free hugs.

free hugs

Where bands literally line the streets on Sunday in a grand, unorganized public cacophony of commingling and competing sounds where the aspiring artists of tomorrow dream their dreams of glory while they can and before life intervenes to deliver its realities like a mailbox, at the end of the month, bloated with bills.

fly at zero

No cynicism this, if you are one who believe that the best stories are tragedies, for in recognizing the spectacle of it all, the perceptive observer has no need of film or novel to fill the void, for this void is surely filled with thoughts of the urban.

June 01, 2007

a walk around asakusa

sake barrels

Sake barrels piled near Sanjasama Shrine in Asakusa

A walk around Asakusa will net you some things. It is the one place I head for when I am short on time but want to feel that shita-machi (low city) feel and get some photographs evocative of a certain aspect of Tokyo. For a resident of Japan, who is encumbered with a real job, the time left for photography often is not as productive as one would like. Dreams are of capturing, from dusk to dawn, the visions of Tokyo that capture the imagination. Life, being what it is, does not lend itself to such lofty goals and what starts out as an adventure, turns into a tiring trek amongst those things that drive many of us to the country-side. Yet, when we do get out to places like Asakusa, which although often regarded as a tourist cliche is an actual living, breathing neighborhood, we invariably find subjects to fill the frame and give us the opportunity to scribble a few lines about them.

stroll down the promenade

Shoppers stroll down Nakamise-dori, a promenade of shops in Asakusa

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